Åkerman played Lila, whose whirlwind marriage to Ben Stiller's character becomes the comedy's central problem.

The role gave her a high-profile studio showcase built on physical comedy and abrupt shifts in audience sympathy, following smaller film and television appearances.

As Tess, Åkerman played the younger sister whose wedding plans intensify the heroine's conflict.

The ensemble romantic comedy let her balance charm, self-involvement, and eventual accountability without carrying the entire film, demonstrating her usefulness in fast-moving studio comedy.

Åkerman portrayed Laurie Jupiter, also known as Silk Spectre II, in Zack Snyder's adaptation. The demanding production combined dramatic scenes with extensive action work.

Her character's family history and disillusionment provide a human route into the film's severe alternate-history superhero world.

Åkerman appeared as Gertrude, the former girlfriend of Ryan Reynolds's character, in this workplace romantic comedy.

The supporting role helps establish the Alaska hometown he left behind and gives the visiting boss a clearer view of the life surrounding her assistant.

As Ronnie, Åkerman joined an ensemble of partners attending a tropical relationship resort. The film relies on contrasting couple dynamics and group comedy rather than one protagonist.

Her role continued a run of large studio comedies during a particularly busy period in her film career.

Åkerman played Annie, a woman navigating intimacy while living with alopecia in Josh Radnor's independent ensemble.

The film gives her a grounded dramatic-comic storyline separate from the writer-director's lead plot and showed a more intimate register than her contemporary studio work.

Åkerman portrayed Eva, a confident member of the intentional community encountered by the central couple. The comedy uses the character to test the visitors' ideas about freedom, boundaries, and reinvention.

Her supporting performance fits the film's broad ensemble rather than a conventional romantic-rival role.

As journalist Constance Sack, Åkerman joined an ensemble musical built from 1980s rock songs. Her storyline intersects with Tom Cruise's fictional star Stacee Jaxx.

The film added singing and stylized musical comedy to a résumé already spanning romance, action, and independent drama.

Åkerman played Riley, a former associate who becomes involved in Nicolas Cage's character's effort to recover his kidnapped daughter.

The action-thriller role emphasized urgency and criminal-world history, providing a sharper tonal contrast with the romantic and musical comedies released around it.

Åkerman portrayed Blondie singer Debbie Harry in the ensemble drama about the New York music venue.

The performance is a nominative depiction of a public musician, but this gallery avoids recreating Harry's appearance, costumes, music, or album imagery and focuses on the film's career context.

Åkerman played actress Amanda Cartwright and her slasher-film character Nancy.

The horror-comedy places a daughter inside her late mother's old movie, letting Åkerman shift between deliberately broad genre performance and a quieter parent-child emotional thread without using real slasher footage.

Åkerman portrayed Emily Hynes in a legal thriller involving an ambitious lawyer and a pharmaceutical executive. The film's darker dramatic material differs from her comedy-forward roles.

This entry treats the character as part of the plotted ensemble without using the story to make real medical claims.

As Claire Wyden, Åkerman played the corporate antagonist behind the experiment driving the giant-creature action.

The role uses polished executive control as a counterpoint to escalating destruction. It represents one of her largest effects-heavy studio projects after Watchmen.

Åkerman starred as Anna and also served as a producer on this comedy about a women-run underground fight club.

The project put her at the center of both performance and production. Its exaggerated action is entertainment, not a guide to safe training or conflict resolution.

Åkerman co-led this desert thriller as Jill, one of two women escaping a controlling group. The small cast and harsh landscape place more weight on psychological tension than spectacle.

The role continues her movement between studio supporting parts and independently produced leads.